Equipment Used for Webmaster's Gallery Photos
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| The information on this page about the equipment being used is arranged mostly in chronological order with the oldest information at the bottom of the page and the newest at the top. |
Currently Used Equipment Lenses
Used
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From June, 2010
It has been a long time since I've updated
this page!
Canon 7D: I moved from
the Canon 40D to the 50D in October,
2008. It was a really excellent camera
offering improvements over the 40D. Normally,
I upgrade to the newest camera as soon
as it comes out. I delayed quite awhile
when the 7D came out because I didn't
like the price jump and didn't feel I
would use the video capabilities (which
I haven't). But the other features and
reviews finally got me to get one in
February, 2010. Now, I'm sorry I waited
so long. The feature dropped from the
50D the bothered me the most was the
DEP setting which adjusted the aperture
for a good depth of field covering all
subjects was bothersome because I used
to use that a good bit. Aside from that,
the new features are just great! Particularly
impressive is the 8 frames-per-second
shooting which will handle a burst of
nearly 100 photos when shooting highest
quality JPG images. The 18 megapixel
sensor gives the advantage that even
if a subject is distant, a lot of cropping
can be done and still leave a reasonable
size image - especially for presentation
on a website.
Hi-Rez Panoramas: In
May of 2009 I also added a Canon SX110
IS and a GigaPan Epic 100. These were
added to work together to produce huge,
high definition panoramas. For examples,
please see http://www.GigaBend.com.
I chose the Canon SX110 IS for the extremely
good pictures it takes combined with
a 10X zoom - giving the equivalent of
360mm maximum. The GigaPan unit is, essentially,
a robotic device that allows mounting
of a camera. The unit is then programmed
to move to a series of positions in x
number of rows and columns. At each position
stop, the unit fires the camera to take
a picture. The camera is zoomed to its
maximum. After shooting this series of
shots (often in the hundreds) the images
are stitched together using the GigaPan
stitcher. The resulting image may well
be in the multi-gigapixel range!
Lens Repairs: I've had
really good luck with my lenses - I've
only had one break down! One of my favorite
lenses is my Sigma 28-105mm f2.8-4. It
is so versatile! It is no longer made
and almost impossible to find a used
one. Sigma told me they could no longer
repair it - which I thought to be very
low on the customer service scale. However,
I did find a repair company that quickly
repaired the lens and got it back to
me working flawlessly. If you need repairs,
you may want to consider United Camera
(http://www.UnitedCamera.com). I was
very unhappy with their communication
- it's impossible to get anything answered
by them from email and even by phone,
answers are ambiguous and vague. However,
their price was good and their work was
excellent.
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Canon EOS 7D
Canon SZ110 IS

GigaPan Epic 100
GigaPan with SX110 mounted |
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From September, 2007
When I got the 40D, it replaced both my Canon EOS 30D and the Canon Rebel XTi. This is a fantastic camera! It shoots nearly 7 frames per second and just keeps on shooting in burst mode! I have gotten up to 60 shots (and the camera never stopped or slowed down and could have shot more) in a burst of 6.5 frames per second - using the highest quality JPG images. This is a 10 Megapixel camera and produces truly excellent photos - a big step up from either the 30D or XTi. |
From July, 2007
While I have used Canon cameras exclusively for a long time, their point-and-shoot cameras just don't seem to be keeping up to the competition. I replaced my secondary Powershot A540 with this Sony Cybershot DSC-T100 as my secondary camera.
I use this camera when I'm working with a larger lens in the field. It's great for shots I can't get with the EOS 40D - or can't get without carrying additional lenses and a lot of hassle. Extreme close-ups of very small items (e.g. a tiny flower) are shot with this camera. Also, occasionally, things such as a shot of a plant when it isn't convenient or possible to get enough distance between myself and the plant to get a good shot with the 40D. It's also nice to have a camera around from time to time that will take a nice movie - and this one will just keep shooting until the 4 GB memory card is full.
The downside on this camera is the proprietary batteries. They are rechargeable, but one must have two of them (for when one goes dead - to keep shooting). These babies are $50 each! Ridiculous! Aside from that, it is a really fantastic camera with a serious optical zoom and produces really great pictures - detail and color - with its 8 Megapixels.
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-June, 2010 - Still using this great little
camera. It is invaluable for some close
ups and macro shots!
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Camera (since September, 2006)
When the Rebel XTi came out I wanted to try it - especially with the 10 megapixel sensor! In many ways, it just isn't the 30D - but that 10 megapixel sensor is EXCELLENT and produces great pictures. I'll use it along with my 30D. For a comparison between the two, see below...
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Camera (since April, 2006)
I use the Canon EOS 30D SLR (Single Lens Reflex) camera. It is an 8 megapixel camera that will shoot as fast as 5 frames per second! I love it!
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Lenses Used
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| Sigma f2.8 120mm-300mm Zoom: I use this lens attached to a Kenko Teleplus Pro 2X Teleconverter most of the time. Usually this is used for pictures of birds. With the Canon 30D lens conversion factor of 1.6X, this gives and effective 960mm lens capability. I have used the lens with a stacked 3X and 2X teleconverter giving an effective 2880mm lens! This makes for a very slow shooting time and needs a super steady tripod. The picture is a little soft, as well. But, a nice picture can be had... see the picture below as an example. This Great Blue Heron was really a LONG ways off! |
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~ Click on either image below for an enlargement - scrollable if it is too big for browser window ~
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Sigma f4-5.6 70mm-300mm Macro Zoom: This lens is primarily used for wildflower and bug shots in the field. It's an excellent lens with a lot of power but a small size and easy to carry on the camera and use in almost any situation. Shown with rubber lens hood. |
| Sigma f2.8 70mm-200mm Zoom: I
got this lens along with a Sigma 2X Teleconverter
so it could be used either as it's native
f2.8 70-200 zoom range or, with the teleconverter
as f5.6 140-400 zoom. It is an excellent
lens and takes excellent shots. However,
it hasn't proven very practical for me as
i do better for macro zoom shots of flowers,
bugs, etc. with the Sigma 70-300mm (above).
However, in taking it to a basketball game
to shoot pictures of a friend's daughter
who is a cheerleader, it proved its worth!
This is a great lens for sports venues as
it is fast (f2.8) and has a lot of zoom power
and the teleconverter isn't needed. In my
opinion, it would be the perfect lens for
shooting most sporting events. |
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Tamron f3.5-5.6 24mm-135mm
Zoom: When my Sigma 28-105 wasn't
working and while searching for someone
to repair it and during the repair process,
I needed something else to fill the
gap. I tried finding another Sigma 28-105,
as it is a favorite for me (in the f2.8-4
version - the slower versions are pretty
easily available). I ended up getting
this Tamron as a used lens at a good
price - this model is also discontinued.
This lens produces tack-sharp pictures
and I found I really appreciated the
additional range of 24-135 vs. 28-105.
I didn't like the fact that it is slower
(f3.5-5.6 vs f2.8-4), but the additional
range made up for that. It is also excellent
for macro shots as it lets you get very
close to the subject. |
| Sigma f2.8-4 28mm-105mm Zoom: This is the only lens I use for aerial shots. I've found that at about 900 feet above ground this lens zooms just right from 28mm for a wide area shot to 105mm for a close in shot - so I can get the shots I want with a single pass from a single altitude. I also occasionally use this lens for macro shots, too - sometimes with extension tubes. It's a nice lens for any general shots, too. Shown with rubber lens hood. |
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Sigma f2.8-4 17mm-35mm Zoom: This wide angle lens is excellent for landscapes and sunsets. It lets the DSLR get pretty wide - and wide angle shots are difficult with the lens conversion factor of 1.5 - 1.6 in most DSLRs due to the size of the image sensor. This lens typically solves the problem - with no noticeable distortion! |
| Sigma f4-5.6 10mm-20mm Zoom: Now, this lens does a really W I D E shot! I use this frequently when shooting interiors of rooms for use on websites I do for accommodations around the lake. It's great for a really wide landscape shot, too. Almost no distortion with this lens. |
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Sigma f4 8mm Fisheye: This lens gets some really interesting shots. Very few shots from this lens are on the Webmaster's Gallery site, but I do use it to shoot virtual tours for area real estate agencies and it enables putting together a series of six shots into a 360 degree "bubble" shot that allows the viewer to look up, down,a nd all around. This is a fun lens for many different kinds of shots! |
| Zenitar f2.8 16mm Fisheye: I had a Zenitar 16mm Fisheye lens and then got rid of it when I got a far better lens for wide angles without the fisheye distortion. I also got an 8mm Sigma fisheye just for the fisheye effect. However, I ended up getting another Zenitar because of the nice special effects I could get with it that were fisheye, but not as exaggerated as the 8mm. The shots below are examples of why I like this lens and some of the flexibility it offers, |

For more about the Zenitar lens - CLICK HERE |
Click image below or image to right for enlargement
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ImageRescue SOFTWARE
Available free with Lexar Professional 4GB 133x Write Acceleration CompactFlash cards - and possibly other cards as well.
WOW! Recovers images from card without problems! I tried it on a 4GB card I have been using for quite some time. It recovered 1394 images (3.75 GB) from the card when I did not specify anything but to recover images. It did incorrectly identify RAW images as TIFF, but when I changed the extension form .TIF to .CR2, the image software recognized them and they were good and complete RAW images. I didn't check every image, of course. In spot checking the images, all were perfect. I've lost some images in the past - I won't in the future with this software.
After testing as above, I tried the same thing with a card that had been formatted in the camera. Same great results.
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From July, 2006 (No longer owned / used)
I got the Canon Powershot A540 (top - right) as a secondary camera. The first thing I did was get the Extension Tube and a UV Filter to add to the front to protect the lens when the camera is turned on and to keep it clean. With the tube in place, I'm also ready to use the Wide Angle / Macro Adapter Lenses (bottom - right). Only the Macro is actually used, though - wide angle shots are always with the Canon 30D.
I use this camera when I'm working with a larger lens in the field. It's great for shots I can't get with the EOS 30D - or can't get without carrying additional lenses and a lot of hassle. Extreme close-ups of very small items (e.g. a tiny flower) are shot with this camera. Also, occasionally, things such as a shot of a plant when it isn't convenient or possible to get enough distance between myself and the plant to get a good shot with the 30D. It's also nice to have a camera around from time to time that will take a nice movie - and this one can get about 30 minutes on the 1 Gigabyte memory card I use with it.
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From about June 2004 (No longer owned / used)
I switched to the 8 megapixel Canon EOS 20D (when it came out on the market). Along with the SLR, I use a number of lenses including: Sigma 8mm fisheye, Sigma 17-35mm apochromatic wide angle zoom, Sigma 28-105mm macro zoom, Sigma 75-300mm macro zoom, Sigma 120-300 f2.8 telephoto zoom, Hartblei 85mm tilt/shift. Additionally I use 2x and 3x teleconverters to enhance the power of the Sigma 120-300 telephoto lens and various extension tubes to enhance the macro capabilities of the 28-105 and 75-300 lenses.
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After June 2003 (No longer owned / used)
I started using a Canon EOS 10D - a single lens reflex digital camera with 6 megapixels.
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I have just purchased the new Canon EOS 10D - a digital single lens reflex camera and am starting to use it on this site. This is a 6 megapixel camera and, for all intents and purposes, is the same as a 35MM camera. For distance shots, there is a big advantage in that the effective length of all lenses is multiplied by 1.6 - so a 100mm lens effectively becomes a 160mm lens as soon as it is attached to this camera. Of course, this is a big drawback for taking wide angle shots. I'm expecting that this camera will gradually replace the Canon Powershot G2... but maybe not completely. This is a far larger and heavier camera and, since you must focus through the eyepiece, it can't be held up and away from oneself for taking pictures at odd angles. The G2 can be aimed through the LCD screen and the screen can be opened, turned, and moved so you can see it from almost any position. Some of the "bug" pictures require holding the camera at angles and in places that will likely prove impossible with the 10D. |
Below: Canon Speedlite 420EX
The 420EX has been removed from service
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Below: Canon Speedlite 550EX
Also used is a Canon Speedlite 580EX
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Prior to June 2003 (No longer owned / used)
Almost all photos were taken with a Canon Powershot G2. In addition to the camera, several accessories are used. The G2 is a 4 megapixel camera. It has been superseded by the G6 and G6. All are excellent cameras!
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About the Canon Powershot G2
Even though I have discontinued use of this camera, I keep the following information I put on about it because these point and shoot cameras have such versatility and capability with a few accessories and I feel this information may be helpful to others.
I always keep the tube adapter on the camera with a UV filter attached. The UV filter keeps the lens clean and protected and the tube adapter provides protection for the zoom lens unit. I fell with a previous camera while it was on and the zoom lens extended - causing extensive damage to the zoom lens. Had there been a tube adapter on it, the camera would have been saved! It only took one instance to learn my lesson on this.
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Above: Standard Canon Powershot G2
Left: G2 with Tube Adapter and 55mm UV protective filter installed
Below Left: Wide angle (0.48X) lens with integrated Macro lens
Below: Same lens separated
The Tube Adapter allows quick, easy attachment of the accessory lenses shown to the camera for special work.
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The macro portion of the wide angle lens shown above is probably my most important single accessory - especially for the bug and flower shots in the Webmaster's Gallery. This allows some really close and magnified work (in combination with the zoom of the G2 lens itself). The close-ups of some of the really small bugs would have been impossible without it. I have found that this macro lens also works quite nicely with 35mm lenses - as mentioned below for my new camera. The biggest drawback with the attached macro lens is that you must find the exact distance from the subject to position your camera so it will focus sharply. For slightly larger subjects, I use the camera and its zoom lens and set it for macro mode focusing and can get close enough to get a sharp picture without accessories.
The wide angle lens used as a complete unit allows a little extra width for shooting in a close spot, such as a room interior, where I wish to capture as much as possible of the room. There isn't too much distortion with this particular wide angle accessory and it is easily corrected with PhotoImpact photo processing software (and other similar packages). If I need a really wide angle shot, of I want a whole new perspective, I use the extreme wide angle lens pictured below. It causes a lot of distortion, but it is still pretty well corrected with image processing software.
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Left: Phoenix Super Fish-Eye 0.25X lens
Below Left: 2X Teleconverter
Below: 3X Teleconverter
When the zoom on the camera isn't quite enough, I attach a teleconverter to double or triple the lens power. I have found the 2X (double) teleconverter works quite nicely and produces good pictures. The 3X (triple) teleconverter reduces the sharpness of the picture a lot and any camera shake at all will show up quickly in a blurred image. I have never found it very useful.
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With my Powershot G2 I used the Canon Speedlite 420EX when the flash on the camera wasn't quite enough. The Speedlite powers the flash out significantly further. If I had it to do over, I would have purchased the much more powerful Speedlite 550EX to start with. I did get the 550EX when I got the new EOS 10D. The two flash units can "talk" to one another and to either of the cameras and work together to provide extra dimension and coverage for flash pictures.
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